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Possible Dust Clouds

by Kristin Hersh

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rikm
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rikm I truly believe that Kristen Hersh is one of the great songwriters, up there with Smith, Cohen, and Dylan, an artist in the truest sense of the word.

For her latest solo outing, "Possible Dust Clouds", Hersh offers a series of powerful songs, intimate and honest work that captures an artist at the height of their ability.

Highly recommended...
agutterfan
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agutterfan Kristin's squalliest squeakiest most raucous & gut(pageant)siest album since the classic 2007 "Learning To Sing". Scrubbed acoustic guitars and scraped electric guitars with dissonant sounds, croaky vocals and some great drumming (I bet David N is on the record). American traditional as played by a grunge band, imagine Woody Guthrie founding Sugar or Hüsker Dü, and I swear there's a Led Zep guitar riff in "Fox Point". A great album. Favorite track: Halfway Home.
dag_nabbhett
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dag_nabbhett my decades long crush on niko case is eclipsed only by my decades long crush on kristin hersh.
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1.
LAX 03:49
2.
3.
Halfway Home 03:57
4.
Fox Point 03:12
5.
Lethe 03:49
6.
Loud Mouth 03:32
7.
Gin 02:46
8.
Tulum 03:44
9.
Breathe In 03:20
10.
Lady Godiva 04:37

about

Kristin Hersh’s prolific career has seen her heralded queen of the alternative release. Her tenth studio album, ‘Possible Dust Clouds’ is a highly personalised sociopathic gem delivered as a futuristic rewriting of how music works, a melodious breeze with a tail wind of venomous din.

Enveloping the juxtaposition of the concept of ‘dark sunshine’, a brooding solo record created with friends to expand her off-kilter sonic vision; a squally, squeaky mix of discordant beauty.
Feedback and phasing gyrate from simply strummed normality, imagine Dinosaur Jr and My Bloody Valentine cranking up a Dylan couplet.

‘Possible Dust Clouds’ is a glorious return to form for one of alternative rock’s true innovators.

“She's still as powerful a presence as she ever was.” Pitchfork

“The prodigious output and commitment to quality is pretty staggering, but then Kristin Hersh is a very, very special musician.” The Quietus

“Throwing Muses became a byword for college-rock feminism in the late 80s, largely because of Hersh’s uncompromising impressionist poetry of emotional anguish, subjugated womanhood and mental illness.” The Guardian

credits

released October 5, 2018

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Kristin Hersh Providence, Rhode Island

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